short stories

All posts tagged short stories

An Interview with Erik T Johnson

Published December 1, 2018 by MommaCat

ErikTJohnson

Welcome to Cat After Dark, Erik It’s so nice to meet you. I’m glad that you were able to take time out of your schedule to let us get to know you a little bit better.

Are you a full time writer or do you hold down a regular job as well?

I used to work a full-time job and write at night/whenever I could. Last year, a few things happened that led to my decision to find part-time employment so that I could concentrate more time and focus on my writing. Currently I work just two days a week, which is awesome. Every other day it’s writing, writing, writing . . .

This move to part-time work was precipitated by two factors:

1) I got sick of the bullshit that is a requirement of working full-time—the toxic atmosphere of petty bosses; backstabbing; under-the-bus-throwing; the necessity to conform with cultural “norms” that restrict your ability to express your true personality; the hypocritical concepts like “transparency” and “breaking down silos” and so forth. Look, I’m 45, my life’s half over (if not more than that) and then I’m nothing (In my opinion). So I made a commitment to myself to be exactly who I am, 100% no bullshit for the remainder of my years. And I’m a writer, and I’m a rocker, and I say what I think and feel. I figure, if that gets me fired in the future, so be it. I’ll live on the street, whatever. Because writing—and music—are all I really care about.

2) My writing career began to pick up traction. YES TRESPASSING was very well received by critics and by a faction of readers who enjoy literary Speculative Fiction; I’ve been getting invited to and into more and more high-profile anthologies, doing successful public and private readings on a fairly regular basis, and have slowly but surely become more involved in professional writer’s associations, such as The Horror Writer’s Association (HWA), PEN America, and The Author’s Guild. Sitting on panels at, and attending conventions, has further helped to raise my profile.

I’ve also seen the quality and range of my writing improve in precise correlation with the amount of time I’ve had to dedicate to the (hard but rewarding) working. Most importantly, peers whom I respect have pointed this out to me, without any begging on my part, which is highly validating and encourages me to strive to become ever better.

Basically I feel pretty optimistic about where it’s all going.

What are you working on now? What does your publishing schedule look like for the future?

I have a bunch of exciting things going on.

The biggest, to me, is the formation of the FOU4, a “band” of four writers—Josh Malerman, J. Daniel Stone, John F.D. Taff, and yours ambiguously. With a fifth author (the superior Joe Schwartz), we put out I Can Taste the Blood a few years back, and it became an Amazon #1 bestseller. That book consisted of five novellas with the same title—I Can Taste the Blood.

We’ve become a four-piece—like most of the great rock n’ roll bands—and our current project, I Can Hear the Shadows, consists of one novella from each of us. I’m proud to say that we all agree that our four contributions here far excel the pieces in I Can Taste the Blood. We just finished wrapping up the manuscript, which includes a forward and afterword by Josh Malerman and an introduction by John F.D. Taff, as well as afterwords to each novella (written by the authors themselves) We’re currently shopping around for a publisher.

The plan is for the FOU4 to become a series-making outfit, to continue making “albums” together as long as people wanna read ‘em. We are a personally and professionally tight unit and to be honest, I’m psyched to see what we do next (On the not-so-Q-T: We’ve already that idea ready to go, and it’s going to be very different and awesome . . . )

Next up? I’m working on a novel based on my Private Investigator character Martin Box. YES TRESPASSING contains six Martin Box stories, and when the book was released, just about every review singled these stories out as being especially fun and awesome, one reviewer going so far as to say that they were worth the cost of the whole book—I was humbled and inspired to do more with Box. So the novel, which is coming along (about halfway through), has been a blast to write so far, and I’m planning to finish it in about six to seven months—then it’s pitch time! Oh, and it’s titled MARTIN BOX IS DEAD, and it involves a bunch of cases, including a job where he gets hired to kill God.

With editor and author supreme Michael Bailey (proprietor of Written Backwards press, who put out YES TRESPASSING), I’ve completed a dark fantasy/Young Adult novel that takes place in an alternate 19th Century, focusing on a skeleton boy named Sunday. The novel follows Sunday’s adventures on an off this fantastic location, and is intended to be the first in a trilogy.  We’ve worked out synopses for the next two books (and even the next SIX—because if it does well, we’re doing a series of seven volumes). We asked some of our most respected peers to read it and so far everyone’s loved it; now it’s—you guessed it—pitch time! Our hope is to find a publishing house for it in 2019.

In terms of the near future, I’ll be on hand at Dark Delicacies bookstore in LA on October 28th for the Launch of Birthing Monsters, a beautiful, unique anthology of writings on Shelley’s Frankenstein, being put out by delightfully brilliant Firbolg Publishing. I’ll be signing and reading along with a bunch of other contributors (whose presence there I will be honored to share). The introduction is by S.T. Joshi, and the Table of Contents include these talented and occasionally award-winning folks::

Darren Speegle

Michael Bailey

Marge Simon

B.E. Scully

Doctor Alex Scully

E.F. Schraeder

Robert Payne Cabeen

Jason V. Brock

Bruce Boston

Carina Bisset

Adam Bolivar

Scott Edelman

Eric Guignard

Thierry Jandrok

Brian Evenson

Lisa Morton

The other thing coming out, perhaps around the same time as Birthing Monsters, is Chiral Mad 4, edited by Lucy Snyder and Michael Bailey. I’ve had the great luck to’ve been included in every installment of Written Backwards’ groundbreaking Chiral Mad series to-date. Chiral Mad 4 is probably the most special:

The editors have chosen to make this an anthology of collaborations, and the competition was fierce, so I am super-proud about getting in here. My FOU4 brother J. Daniel Stone and I wrote the story “Ghost Drawl” together; the full Table of Contents (God I am lucky fucker; check out my fellow contributors!) are:

4 short stories:

“The Substance of Belief” – Elizabeth Massie & Marge Simon

“Home and Hope Both Sound a Little Bit Like ‘Hunger'” – Seanan McGuire & Jennifer Brozek

“Wolf at the Door” – Anthony R Cardno & Maurice Broaddus

“Ghost Drawl” – Erik T. Johnson & J Daniel Stone

4 novelettes:

“Golden Sun” – Richard Thomas, Kristi DeMeester, Damien Angelica Walters & Michael Wehunt

“Peregrination” – Chesya Burke & Lawana Holland-Moore

“Detritus Girl” – P. Gardner Goldsmith & Valerie Marcley

“Asperitas” – Kristopher Triana & Chad Stroup

4 novellas:

“How We Broke” – Bracken MacLeod & Paul Michael Anderson

“The Long and the Short of It” – Erinn Kemper & F Paul Wilson

“The Wreck of the Charles Dexter Ward” – Sarah Monette & Elizabeth Bear

“In Her Flightless Wings, a Fire” – Emily Cataneo & Gwendolyn Kiste

4 graphic adaptations:

“Firedance” – Jack Ketchum & Glenn Chadbourne

“Fade to Null” – Brian Keene & Daniele Serra

“The Ghost of the Bayou Piténn” – James Chambers, Jason Whitley & Christopher Mills

“Sudden Sanctuary” – Glen Krisch & Orion Zangara

Check out the Written Backwards website for more details, or for direct links to purchase any of these titles.

. . . And I’ll have more announcements soon (very cool stuff that I can’t talk about yet)!

What are some of the things you enjoy doing when you’re not working? And how would you spend your time if there were no restrictions in place – either time or moneywise?

This is pretty much all I do: Write, read, draw, listen to music, play music, record music, and play in an Iggy Pop/Stooges cover band, METALLIC K.O. (We’ve only rehearsed 3x, but what rehearsals—hope to be gigging by fall of 2018). In the latter I just do Iggy, which is a fucking blast and we will take no prisoners. When that gets going I’ll be adding a section to my website, eriktjohnson.net, dedicated to that project.

If you had a superhero power, what would it be and what would you do first?

Cliché as it sounds, I think invisibility is a no-brainer. As a writer, I am naturally inclined towards seeing the forbidden (going so far as to watch myself for salacious neural events). I’m that guy who has to go as far as possible and then some, push the envelope so hard nobody can find it, striving (if failing) to write the most beautiful, filthy, outrageous, thoughtful, compassionate, humorous, satirical, scary, poignant, terrifying shit that I can. Fuck the stars; I believe in shooting for the harder targets of dark matter. I am the posterchild for going down in flames. I’d rather fail attempting to accomplish the impossible than safely produce work that takes no risks.

Where was I? Oh yeah, invisibility . . .

If you could spend the evening chatting with any one person from history, who would you choose and why? Language is not a problem.

Nikolai Tesla. Because, I mean, NIKOLAI TESLA!

You’re a guy who clearly loves words, I didn’t realize just how much until I read YES TRESPASSING, how do you think your fascination with language came to be?

I wrote my first “book” when I was five. It was called “My Life as a Convict” and ended with me getting my head cut off as punishment for murder. I’ve always been enraptured by words. I grew up in a family that held a lot of esoteric/occult beliefs, so I had things like The Egyptian Book of the Dead, The Finnish Kalevala, The Epic of Gilgamesh, and tons of other mythic literature on hand. These ancient books contain poetry in every line and to this day I am an ardent reader of ancient texts; I find the alien word constructions and conceptions intoxicating.

From the Book of the Dead:

I am the great Benu-bird which is in Heliopolis, the supervisor of What Exists . . .

As for What Exists, that means his injury. It means Eternity and Everlasting.

As for Eternity, it means daytime; as for Everlasting, it means night.”

How gorgeous and mysterious is that?!

One more . . .

The Kalevala:

He pushed stones straight into their mouths,

stacked rocks on the flat side for the best singers,

for those most proficient in song.

Thus he sang such men—one hither, on thither—off to treeless clearings,

fallow fields, to fishless ponds quite without perch,

sang them under the current into foam,

into rocks in the middle of the rapids,

to burn like fire, to flash like sparks . . . “

I also love poetry and feel more fiction writers should read it. The great poets like Rilke and Wislawa Szymborska, Lautréamont, Fernando Pessoa, and Anne Carson (to name a few) are such masters of language—magicians, really. I aspire to that in my prose. Why not write the most wonderful sentences you can?

More modern fascinations with language came through my discoveries of such authors as Mervyn Peake, Herman Melville, Clarice Lispector, Italo Calvino, Borges, Lord Dunsany, Georges Bataille, and William Burroughs, among many, many other Masters of the Word.

What are your three favorite books? And what are you reading now?

Three is a toughie. But these are close:

1. Moby Dick (Melville)

2. The Gormenghast Trilogy (Mervyn Peake)

3. The Maimed (Hermann Ungar)

If you could choose one time and place in history to visit for a day, where would it be and what would you do?

I would go to Ann Arbor, Michigan in 1969 and see The Stooges, Alice Cooper, the MC5, and The Flamin’ Groovies play on the same bill (Golden-Age Detroit rock is my favorite genre, though I love everything from Mahler to Leonard Cohen and Slayer).

What makes you laugh?

Almost everything.

How would you like the world to remember you?

I’m more interested in how I’ll remember the world. Particularly in the interesting situation wherein such a recollection could be possible—and complete. I know when I’m dead I’m not gonna care what they think since there’ll be no “I.”

Erik T. Johnson has appeared in numerous periodicals and award-winning anthologies, including the #1 Amazon bestseller, I Can Taste the Blood (alongside bestselling author Josh Malerman and John F.D. Taff). Erik’s short fiction collection, Yes Trespassing, was called “electric” by Malerman; THIS IS HORROR UK wrote: “One of the best, most beautifully written collections of this or any other year. Erik T. Johnson is writing at a level that all authors, new and veteran alike, should aspire to. Because what Johnson has achieved with Yes Trespassing is nothing less than absolute greatness.”

I have read much of Erik’s work prior to reading YES TRESPASSING, and enjoyed it all.  Frankly, YES TRESPASSING blew me away.  I was thrilled to learn that he has more planned for PI Martin Box and hope that all of you will purchase and read this stunning and eclectic collection.

 


 

Advertisements

An Interview with Steve Rasnic Tem

Published September 23, 2018 by MommaCat

steve rasnic tem b&w

Welcome to Cat After Dark, Steve! It’s so nice to meet you. I’m glad that you were able to take time out of your schedule to let us get to know you a little bit better.

Of course—I’m always grateful for opportunities to talk about my writing.

You’ve been a professional, not to mention award winning author for many years now. Do you remember the first story you submitted and sold to a publisher?

I started submitting stories when I was still in high school, around 1967, mostly to magazines like Fantastic and Amazing. In graduate school I published a lot of poetry in university and small magazines, and some brief pieces of prose (such as a section of what would become my novel Blood Kin in Juice magazine out of Kentucky). But I didn’t get paid for any of that. My first actual professional sale was “City Fishing,” in 1980, to Ramsey Campbell for his New Terrors anthology. I sold it before I was married, so it appeared under the “Steve Rasnic” byline. It’s part of my collection City Fishing.

What are you working on now? What does your writing/publishing schedule look like for the future?

Like most writers my working day is split between promoting and preparing old work, creating new work, and “reseeding” my imagination for future work. My middle-grade Halloween novel The Mask Shop of Doctor Blaack comes out early October, so I spend some time each day talking and writing about it (including doing interviews like this one). I have two story collections coming out next year—Everything Is Fine Now (a collection of YA stories from Omnium Gatherum) and The Night Doctor & Others (the best of my recent horror in a nifty hardcover from Centipede Press)—so I’ve been giving input on covers and endlessly proofing the pages. As for new projects I’ve been working on some science fiction stories about climate change and expanding my zombie story Bodies & Heads into a novel. And in and around all that activity I’m watching movies incl. lots of documentaries, reading books and magazines like Science News, jotting down ideas for stories I may not write for years to come.

If you could spend the evening chatting with any one person from history, who would you choose and why? Language is not a problem.

Helen Keller would be interesting. My late wife Melanie was legally blind, and we talked a great deal about how it was for her growing up, and how her brain processed the limited imagery it received. I would like to get Keller’s perspective on some of those issues.

But if I had the stomach for it, I think I’d really like to talk to Adolph Hitler. He was monstrous, but by definition he was also human. I wonder if I would be able to perceive the evil in him just by talking to him, and if he would seem that much more “evil” than a number of political personages we have now. Would the evil be immediately obvious, or would I have to dig for it? It would be a really useful and enlightening perspective to have.

What makes you laugh?

Pretty much everything, given the right circumstances. The human comedy. I firmly believe that if you’re going to dwell on the dark aspects of life then you need to balance that out with a heavy dose of comedy. So I watch comedic movies and TV shows, and I follow stand-up comedians as well. Some of my current favorites are the ventriloquist Jeff Dunham, Demetri Martin, Sarah Silverman, Tig Notaro, Tina Fey, and Hannah Gadsby—her Nanette special is an incredible blend of comedy and tragedy.

What are your three favorite books? And what are you reading now?

It would be hard to pick just three, but let’s go with Kafka’s Collected Stories, Gabriel García Márquez One Hundred Years of Solitude, and Toni Morrison’s Beloved. Currently I’m reading The Silent Garden: A journal of esoteric fabulism from Undertow Publications in Canada. It’s a terrific anthology of weird writings.

Have you discovered a new to you author recently that excited you with their storytelling ability?

That’s a hard one to answer only because we’re living in a golden age of fiction, I believe, and I’m discovering a wonderful new writer I’d never heard of before every couple of months. But the latest would be Olga Tokarczuk, whose Primeval and Other Times is this incredible concoction combining fabulism with a sweeping sense of time and history.

How did you introduce your children and grandchildren to reading? What kind of books do they like?

With both my children and grandchildren I bought them comic books and let them read my own (I’ve always been a huge fan). But for Christmases and birthdays I would also give each of them a large box full of books including Caldecott and Newbery winners and whatever was popular for younger readers that particular year, children’s classics, etc. I wanted them to at least have the opportunity to read the best work for children. They haven’t always continued to read, but I have at least one granddaughter who reads enthusiastically and would like to be a writer someday. Her favorite reading is adventure, fantasy and supernatural tales. For my two daughters it’s true crime, especially anything involving serial killers.

If you could swap bodies with one person for one day, who would it be and why?

I think I’d like to be some sort of forest animal for a day. I think human beings could learn a lot if they could tap into a non-human perspective, especially about empathy for and appreciation of the natural world. It would make us healthier I believe.

What are some of the things you enjoy doing when you’re not working?

I watch a ton of movies, and see a movie in the theaters at least 2-3 times a week. I also volunteer for the Citizen’s Climate Lobby—I don’t want to leave that huge problem for my descendants to solve. I meditate at least once a day, and I play around with visual art—drawing and painting—for my own enjoyment. I think it helps the writing.

How would you like the world to remember you?

Realistically speaking, the world forgets most writers—including the popular ones—within only a few years after their death. And yet to maintain quality I think you have to try to write as if you know you’re going to be read down through the ages. So I don’t worry about what the world thinks particularly. I do hope my children and grandchildren remember me as a good and loving father/grandfather. And that everyone else I love remembers me as someone who cared for them and wanted to make their life just a little better by being a part of it. That’s really as much of the world as I care about in terms of how I’m remembered.

Steve can be found at all your favorite social media sites. Check them out!

Webpage

Facebook

Twitter

Pinterest

Instagram

 

I posted my review for THE MASK SHOP OF DOCTOR BLAACK on the Random Reviews page of this site back in August.  If you haven’t had a chance to read the review, now’s the time! Then run, don’t walk – or click like a bunny quick to your favorite online retailer and order this book today.  It may be billed as YA, but that’s misleading.  It has kids as the main characters, so that might lead you to think it’s for kids.  Nuh uh.  It’s  for everyone to read every Halloween.  Enjoy!

An Interview with David Whitman

Published March 1, 2017 by MommaCat

david-whitman

Please tell me about your upcoming books and their production schedule.

I have two upcoming books. The first is a short novel entitled The Witch, the Murderer, and the Devil in Black. Martin Kent can channel the souls of the dead into animals. He roams about his small town with his dead wife, who is in the body of a deer. When a tragic experiment causes the death of every animal in town, Martin embarks on an angry quest to get his wife’s damned soul back from God. He enlists the aid of an elderly woman, who can speak to the dead, and a murderer. It is set in the Victorian era. This novel is finished and I am currently waiting word on finding a home for it.

The second is a follow-up to my critically acclaimed novella Deadfellas. It is entitled Deadfellas 2: One Step Beyond. It is a surrealistic dark comedy that mixes The Wizard of Oz with Hitmen and zombies. I have been working on this for about a decade. It’s nearly complete, and so far I am very proud of what it has become. It is certainly not just a repeat of the first and it is quite epic in its scope and weirdness. The first Deadfellas can be found on Amazon Kindle and Apple Itunes.

Who are the authors that have influenced your writing the most?

Two authors that have influenced me the most are Philip K. Dick and Joe R. Lansdale. As a teenager, I read and re-read PKD’s work obsessively, even collecting obscure works from the 1950’s and 60’s. I think PKD is an absolute genius–a writer can get an idea for a whole novel in just one of his paragraphs. It is a joy to see that the world has embraced his work and that he is no longer just a cult writer.

I read Joe Lansdale’s work in my early twenties and his words just went through me like lightning. He rewired my brain and showed me that there were no rules as far as the imagination goes. The first work I found by him was his collection BY BIZARRE HANDS–it was like explosives went off in my mind.

pkdick

Would you talk about how you and Weston Ochse came to collaborate on SCARY REDNECKS AND OTHER INBRED HORRORS (and APPALACHIAN GALAPAGOS).

Weston and I met through an email message forum around 1998 and found that we both had similar influences. We were both young and eager and soon collaborated on a few short stories. We sent those stories to a publisher and immediately they wanted more. Scary Rednecks was born. Weston has gone on to win the Bram Stoker award and has become one of the most prolific writers in the business. I am very proud of him and so happy for any success he achieves. I still feel our novella “Up Shits Creek with a Case of Beer and No Fucking Paddles” (from APPALACHIAN GALAPAGOS) is one of the best creative projects I have ever been part of. I have faith that it will one day be made into an excellent film.

westono

I loved Harlan. That was a very different tale from REDNECKS. What brought that story to life?

I was heavily influenced by John Hughes films, such as The Breakfast Club and Pretty in Pink. Also, a film called Pump up the Volume was very influential. I wanted to create a story that had the elements of those films, but also took a darker and more adult bent. I found the writing of that novel to be more emotionally draining than I had expected and I think it shows in the finished product. I am very proud of HARLAN.

Do you have any plans to turn one of your short stories into a novel or novella?

There are a bunch of short stories that speak to me and seem to want to be revisited. I very rarely write a short story with a solid sense of closure. I believe that style makes the reader ask questions and want more. My latest novel (mentioned above) was born from a short story. I also want to start writing screenplays and there are so many of my stories that seem to have potential to be bigger. I have a short story in my collection DELIGHTFUL AGONY entitled “Some of Us are Looking at the Stars”. It is a sort of science-fiction retelling of APOCALYPSE NOW. I think that it would be perfect for a longer tale.

If you were able to trade bodies with one person for one day who would it be and why?

I would probably choose someone with a lot of security clearances–a world leader or perhaps someone in the Pentagon. I am a huge conspiracy and UFO enthusiast. I would immediately seek access to the Roswell files.

roswell

FYI – They’ve been declassified recently. Whether everything is out or not remains to be seen.  MC

What are you reading now?

I am reading George Martin’s GAME OF THRONES. I also recently read some John D. Macdonald. I have been taking my time with the Travis McGee novels for a long time now–reading one every few years. It is like revisiting a long time friend.

gofthronestravism

Do you have any guilty pleasure books/authors? You know the ones…stuff you don’t let your friends see you reading.

I am a huge Star Trek fan. I will occasionally read a Trek novel because I can finish one in about five hours. I don’t really believe in the concept of guilty pleasures. I think you should proudly like whatever you want to. If it makes you happy, just own up to it.

startrek

How do you want the world to remember you?

I want to be remembered as a good father and husband. I certainly won’t mind being remembered as a writer. With a book, the author gets to live forever in a way.

David Whitman – Facebook
David Whitman (davidwhitman666) – Amazing Pinterest pins!
all David’s books are available on Amazon.  Check em out!
 bodycounting
 BODY COUNTING is a short story collection that is easily devoured all at once.  With so many collections I find myself reading a story here and one or two there an going back a coupe of weeks later for another dose.  Not so with BODY COUNTING.  With a mix of strange, weird, horror, sci-fi and one very odd (to me) story  there’s a great read just waiting for you.
I’m so glad that David agreed to this interview!  Thanks for visiting CAD today and please come back soon.

 

 

AN INTERVIEW WITH JEFFREY THOMAS

Published October 31, 2014 by MommaCat

JeffThomas2013

 

1) What’s your earliest memory about storytelling?

I was in the hospital for a hernia operation at a very young age, sharing a room with my Dad, who was in for a double hernia. While he was in surgery, I started working on a comic book, its cover portraying a lot of battling stick figures. I was simply going to title the comic WAR, and forego any other text, but I got weepy because I wasn’t sure how to spell it. (I think I might have been missing my Dad, too.) Since those days my stories have gone on to have many more thousands of words than just a title.

2) If you could live during any era in any land, real or imaginary, where would it be and why?

It would be here and now. I am the sum of all the years I’ve accumulated, all the relationships and experiences and achievements those years have contained, so I need to stay on the temporal trajectory that has defined my existence. Though I would like to visit other time periods, it would only be briefly. Imaginary lands, though…hm…that’s another story. I know I’d like to visit my far-future setting of Punktown, but again…only briefly. Too dangerous to remain there for long. Having said all this, I would very much love to live half of every year in Vietnam, a country I’ve visited nine times to date, and dearly love. My daughter is half Vietnamese.

3) Do you write every day? Would you still write if you didn’t need to make money?

God how I wish I wrote every day — and in the past, I pretty much did — but today my day job and parenting consume most of my time and energy (not that I begrudge the latter). As for money…ha, I make so little money at writing (as is the case for most writers, I’m afraid) that if I was doing it with monetary gain as my main motivation, rather than artistic gratification, I’d have given up in despair decades ago.

4) How much research do you do?

I am crazy obsessive about research. If I’m writing a story set in modern day Viet Nam, for instance, and I say so-and-so got into a car, suddenly I’m Googling what make of cars are on the streets in Viet Nam. Though I do enjoy doing research, it can really slow down the writing process, but the risk comes in potentially slowing down the reading process with an excess of researched material. It has to be balanced, and you often discard more of the fruits of research than you use. Maybe that’s one of the reasons why I like to work so much in Punktown; I’m inventing that world, so I don’t have to research it, unless it’s only to look at my earlier Punktown stories for the sake of consistency.

5) What’s your comfort food?

Peanut butter and jelly sandwiches. I could eat them every day. For long stretches, I do! My comfort beverage is coffee; I’m a coffee addict, as anyone who knows me could attest.

6) What if you could trade bodies with one person for one day? Who would that be?

My daughter Jade, I guess, so I could see the world through the eyes of a five-year-old girl. I don’t remember being five. Or a girl.

7) Who are the authors that influenced your life the most?

That’s hard to answer, because it’s difficult to pick only a few names. Different writers have affected me in different ways, and even after all these years I’m still learning more about the craft, and receiving new inspiration, every time I delve into a new book of merit. But if I have to give just a few names, I might mention Ray Bradbury and Edgar Rice Burroughs. Both men transported me to their own marvelous rendition of Mars, and taught me how exciting it is to create a fantastical setting for your characters to inhabit. Bradbury’s THE MARTIAN CHRONICLES, being an unrelated series of stories taking place within a single otherworldly setting, has definitely been a big influence on my ongoing series of novels and short stories set in Punktown.

Lovecraft: Bloodcurdling Tales of Horror and the Macabre
The Cipher – Kathe Koja
House of Leaves – Mark Z. Danielewski

Oh wait, I can’t stop! I’m a glutton for punishment…

The collected poems of Anne Sexton
1984 – George Orwell
Do Androids Dream of Electric Sheep? – Philip K. Dick
The Godfather – Mario Puzo
Oliver Twist – Charles Dickens
A Princess of Mars – Edgar Rice Burroughs
Gorky Park – Martin Cruz Smith
Lord of the Flies – William Golding
The Books of Blood – Clive Barker (cheating, I know!)
Daybreak – 2250 A. D. – Andre Norton

8) Who would you like to co-author a book with?

Living or dead? Assuming it’s someone alive, and thus nbomeone with whom I might conceivably collaborate, I’ll say Clive Barker. We both have pretty out-there imaginations and that might make us compatible. In the past I’ve collaborated with two other favorite authors of mine: W. H. Pugmire (ENCOUNTERS WITH ENOCH COFFIN) and my brother Scott Thomas (PUNKTOWN: SHADES OF GREY).

9) What five people – living or dead- would you invite to a dinner party? (Universal translators will be provided)

I have to say Jesus…I’d like to know what he was really about. Yukio Mishima would be fascinating, as would Marlon Brando. Elvis Costello and Norah Jones could sing to us, and Norah is so damn cute.

10) How do you want the world to remember you?

As a writer who created his own universe to immerse himself in, while making it accessible and alive for others. And yet, a writer who was also versatile in his storytelling, up to any challenge. A person who extolled creativity above all else, and embraced imagination to the fullest. And I’d like it said I was a good Dad. That’s the most important thing, isn’t it?

 

You certainly brought Punktown to life for me Jeffrey. And your versatility is amazing.  If you’re as good a dad as you are a storyteller, you are in great shape. I hope you’ll visit Cat After Dark again.   cảm ơn bạn đã ghé thăm

 

Jeffrey Thomas can be found at punktalk.punktowner.com/

%d bloggers like this: