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An Interview with Frank Cavallo

Published June 11, 2017 by MommaCat



Welcome to Cat After Dark, Frank! It’s so nice to meet you. I’m glad that you were able to take time out of your schedule to let us get to know you a little bit better.

Thanks for having me. It’s great to be here!

Are you a full time writer or do you hold down a regular job as well?

In my non-writing life I’m a lawyer. I’ve been at that for about 16 years now, all on the defense side. Initially I worked in juvenile court and then for the last ten-plus years I’ve been trying cases exclusively in felony court, what we call the Court of Common Pleas here in Ohio. Recently I started handling an appellate case load. That’s mostly brief-writing, so I’m still writing even in my non-writing time.

What are you working on now?  What does your publishing schedule look like for the future?

I usually balk at answering this question. The only time I ever discussed an active, unfinished project in an interview it later fell apart.

However, in this case I am legitimately between books, so I really don’t have anything to reveal–or to worry about jinxing. I’ve got three or four ideas sitting on my desk, in various stages of outlining. Some are just sketches. Eventually one of them will pick up steam and I’ll run with it.

What are some of the things you enjoy doing when you’re not working? And how would you spend your time if there were no restrictions in place – either time or dollar-wise?

I love to travel, that’s probably my one great passion after writing. At last count I’ve visited just over 40 countries, and I’m always trying to add to the list. 

If I had as much money and time as I wanted, that’s all I’d do. I would write for a few months non-stop, then take a month or two off to fly to some far-flung spot, backpack around, sample odd food, tour ancient ruins, look at exotic wildlife, etc.


Pick a country…any country..,

When did you first start telling stories? Do you remember your first story?

I do! I was in the third grade. It was Halloween and I wrote a monster story for class, I believe it was a Dracula story (but it might have been a werewolf story, I’m not sure which one I did first, but I know I did versions of both). Anyway, the other kids passed it around and seemed to like it, so I wrote a few more. I’ve been doing it ever since. 

If you could spend the evening having drinks with any one person from history, who would you choose and why? Language is not a problem.

I’m not believer in any particular religion, so none of the standard answers of Jesus, Buddha, etc. have much appeal to me. Second, my tangential relationship to government in my work-life leads me to believe that most political figures, however great their achievements or bold their leadership, are essentially cut from the same cloth. Most are willing to lie or cheat to get to those positions, and probably have to be that way in order to succeed. So I’m not interested in meeting any of them, even the great ones.

That leaves artists, thinkers, philosophers, maybe military types. Not much interest in the latter bunch, but I do think Leonardo, Shakespeare or Einstein would be on the list. However, if I had to pick one and only one, I’m leaning in a different direction. What I’d probably do is pick a fairly random, otherwise-anonymous person and find out everything I could about him or her.

I’ll give you my reasons, briefly. A few years ago I was at the Topkapi palace museum in Istanbul. There’s a section there with grave markers from the Roman era, going all the way back to the days of the East/West split of the Empire. The engravings are haunting, not because they’re unusual, but because they’re so mundane. They’re just like what we write now, two-thousand years later. People missed their parents. They mourned their spouses or their children who died too young, etc. Except for these markers, these people are completely unknown, unremembered and lost forever.

There are literally billions of people who have lived and died over the ages and we know virtually nothing about them. Not only are their names lost, but everything about them: what they cared about, who they loved, what they dreamt about, what they thought the world they were giving to their children would look like. I want to sit down with one of them. I want to find out all of those things from someone that history has forgotten.


Would you go on Dancing with the Stars if given the opportunity?

No, never. Absolutely not. I don’t care what they pay. There isn’t enough money in the world to get me to do that. I hate dancing.

What are your three favorite books? And what are you reading now?

Seriously tough question!

1) Robert E. Howard’s “Conan the Conqueror” (originally titled “The Hour of the Dragon”) is the first book I really fell in love with. I bought it as a used paperback for five cents at my local library sometime in middle school and read it repeatedly until it nearly fell apart.

2) Frank Herbert’s “Dune” I read one summer in high school, and it opened my eyes to what SciFi can be. It was huge and epic and tackled real, heavy issues. It showed me that speculative fiction could be so much more than spaceships and laser fights.


3) Super close call on #3 but I’m going to go with Clive Barker’s “The Hellbound Heart.” It’s the first book I read as an adult that just knocked me over and made me say “wow, I wish I could do that.”(Honorable mention here goes to Neil Gaiman’s “Neverwhere.” These two books are so close that if you asked me on another day, in a different mood, I might very well have reversed the order.

Right now I’m reading Mary Beard’s “SPQR” which is a study of the early days of the Roman Republic, the centuries before Caesar that set the stage for what Rome eventually became. I switch off between fiction and non-fiction, and try to read a little of both.


You just invented a magic portal. Anyone who passed though the portal would be ‘unexisted’. So they would not be missed and life would work itself out. You can send three people through the portal. Who will you send? Why?

That’s another tough one. It’s uncomfortably close to “who would you kill if you could get away with it?” Given my job, I’d be loath to wade into those waters. If I want to be consistent that I am against the use of the death penalty for anyone, no matter the offense, then I can’t in good conscience say that I think I possess the wisdom to use it “properly” if it were left up to my judgment. So I’ll have to abstain on this one.

If you could choose one time and place in history to visit for a day, where would it be and what would you do?

If we’re talking about the entire history of the Earth, then I’d probably visit one day before the Chicxulub impact about 65 million years ago. Take in the last day of the dinosaurs.

What would your death row meal consist of?

A large “Number 8” with everything from Nick’s Pizzeria in Bergenfield, New Jersey. It’s the best sandwich I’ve ever had, anywhere. I’ve literally dreamed about this hero before trips back home to visit. Ham, Genoa salami, capicola, prosciuttini, provolone, lettuce, tomato and onion with oil and vinegar on fresh-baked Italian bread. It is as close to a perfect sandwich as mankind will ever get.


How would you like the world to remember you?

I read an obituary recently in which they said the deceased had been “generous and kind to small children and animals.” I can’t imagine being remembered any better than that.

Amazon author page

Frank’s website



Are you looking for something a little different to read?  Frank’s newest book, published just this past December is probably just what you’re craving. RITES OF AZATHOTH is a well thought out, super descriptive FBI thriller by way of Lovecraftian science fiction epic. Wow! It was a good storyline and if it seemed a little long in the beginning, I got over that once the story got started and I was invested in the plot, I read straight through to the end in with just one sleep break.

Available at



Thank you for an excellent interview, Frank.  You sound like a fascinating person for whom one interview is not nearly enough!  Thanks so much!



An Interview with David Whitman

Published March 1, 2017 by MommaCat


Please tell me about your upcoming books and their production schedule.

I have two upcoming books. The first is a short novel entitled The Witch, the Murderer, and the Devil in Black. Martin Kent can channel the souls of the dead into animals. He roams about his small town with his dead wife, who is in the body of a deer. When a tragic experiment causes the death of every animal in town, Martin embarks on an angry quest to get his wife’s damned soul back from God. He enlists the aid of an elderly woman, who can speak to the dead, and a murderer. It is set in the Victorian era. This novel is finished and I am currently waiting word on finding a home for it.

The second is a follow-up to my critically acclaimed novella Deadfellas. It is entitled Deadfellas 2: One Step Beyond. It is a surrealistic dark comedy that mixes The Wizard of Oz with Hitmen and zombies. I have been working on this for about a decade. It’s nearly complete, and so far I am very proud of what it has become. It is certainly not just a repeat of the first and it is quite epic in its scope and weirdness. The first Deadfellas can be found on Amazon Kindle and Apple Itunes.

Who are the authors that have influenced your writing the most?

Two authors that have influenced me the most are Philip K. Dick and Joe R. Lansdale. As a teenager, I read and re-read PKD’s work obsessively, even collecting obscure works from the 1950’s and 60’s. I think PKD is an absolute genius–a writer can get an idea for a whole novel in just one of his paragraphs. It is a joy to see that the world has embraced his work and that he is no longer just a cult writer.

I read Joe Lansdale’s work in my early twenties and his words just went through me like lightning. He rewired my brain and showed me that there were no rules as far as the imagination goes. The first work I found by him was his collection BY BIZARRE HANDS–it was like explosives went off in my mind.


Would you talk about how you and Weston Ochse came to collaborate on SCARY REDNECKS AND OTHER INBRED HORRORS (and APPALACHIAN GALAPAGOS).

Weston and I met through an email message forum around 1998 and found that we both had similar influences. We were both young and eager and soon collaborated on a few short stories. We sent those stories to a publisher and immediately they wanted more. Scary Rednecks was born. Weston has gone on to win the Bram Stoker award and has become one of the most prolific writers in the business. I am very proud of him and so happy for any success he achieves. I still feel our novella “Up Shits Creek with a Case of Beer and No Fucking Paddles” (from APPALACHIAN GALAPAGOS) is one of the best creative projects I have ever been part of. I have faith that it will one day be made into an excellent film.


I loved Harlan. That was a very different tale from REDNECKS. What brought that story to life?

I was heavily influenced by John Hughes films, such as The Breakfast Club and Pretty in Pink. Also, a film called Pump up the Volume was very influential. I wanted to create a story that had the elements of those films, but also took a darker and more adult bent. I found the writing of that novel to be more emotionally draining than I had expected and I think it shows in the finished product. I am very proud of HARLAN.

Do you have any plans to turn one of your short stories into a novel or novella?

There are a bunch of short stories that speak to me and seem to want to be revisited. I very rarely write a short story with a solid sense of closure. I believe that style makes the reader ask questions and want more. My latest novel (mentioned above) was born from a short story. I also want to start writing screenplays and there are so many of my stories that seem to have potential to be bigger. I have a short story in my collection DELIGHTFUL AGONY entitled “Some of Us are Looking at the Stars”. It is a sort of science-fiction retelling of APOCALYPSE NOW. I think that it would be perfect for a longer tale.

If you were able to trade bodies with one person for one day who would it be and why?

I would probably choose someone with a lot of security clearances–a world leader or perhaps someone in the Pentagon. I am a huge conspiracy and UFO enthusiast. I would immediately seek access to the Roswell files.


FYI – They’ve been declassified recently. Whether everything is out or not remains to be seen.  MC

What are you reading now?

I am reading George Martin’s GAME OF THRONES. I also recently read some John D. Macdonald. I have been taking my time with the Travis McGee novels for a long time now–reading one every few years. It is like revisiting a long time friend.


Do you have any guilty pleasure books/authors? You know the ones…stuff you don’t let your friends see you reading.

I am a huge Star Trek fan. I will occasionally read a Trek novel because I can finish one in about five hours. I don’t really believe in the concept of guilty pleasures. I think you should proudly like whatever you want to. If it makes you happy, just own up to it.


How do you want the world to remember you?

I want to be remembered as a good father and husband. I certainly won’t mind being remembered as a writer. With a book, the author gets to live forever in a way.

David Whitman – Facebook
David Whitman (davidwhitman666) – Amazing Pinterest pins!
all David’s books are available on Amazon.  Check em out!
 BODY COUNTING is a short story collection that is easily devoured all at once.  With so many collections I find myself reading a story here and one or two there an going back a coupe of weeks later for another dose.  Not so with BODY COUNTING.  With a mix of strange, weird, horror, sci-fi and one very odd (to me) story  there’s a great read just waiting for you.
I’m so glad that David agreed to this interview!  Thanks for visiting CAD today and please come back soon.



An Interview with Brian Hodge

Published November 15, 2015 by MommaCat


Most authors have had many jobs to pay the bills in their quest to become successful. What are some of the jobs that you have held?

I don’t really fit that mold. I graduated college with a degree in advertising, and worked for a newspaper while writing my first two novels. They both sold around the same time. Then I went to my first convention, the World Fantasy Con, and that went so well it was the final straw. I quit the job, but spent awhile weaning myself off regular paychecks with a janitorial gig I could do in the middle of the night. That was it. I’ve written a lot of nonfiction, too, but those two early jobs were all I did on the outside.

Being an aspiring published author is ______________________.

not for the highly distractible or the easily discouraged.

Would you talk about your upcoming books and their production schedule?

So far, definitely lined up for 2016, I have a novelette called “The Weight of the Dead” set to come out from next June, and pieces in various anthologies: 2113: Stories Inspired by the Music of Rush; The Mammoth Book of Cthulhu; Tales of the Lost Citadel; and the fully compiled edition of Dark Screams, the joint project between Random House and Cemetery Dance Publications. Other things I can’t talk about yet, either because I’ve been asked to wait until they’re officially announced, or they’re still in progress.

How important are character names and how do you come up with them?

The right names are crucial, because they can convey qualities or personality traits, or imply ethnicity, or suggest a timeframe, or piggyback on associations we might have about a person of that name. Or you might want to have fun by subverting associations, like with the 300-pound guy whose friends call him “Tiny.” But this is a nebulous thing to explain logically. Usually it comes down to feeling. A name looks right, feels right, sounds right.

If the right name doesn’t pop into mind, I’ll try combing databases to see what jumps out. What names were popular in the 1920s, I looked that up recently. Historical names are trickier. I have a novel-in-progress that’s set in Anglo-Saxon England shortly after the Norman Conquest. While the male names were fairly easy to choose from, the main character is female. The trouble with early Anglo-Saxon names for women is that very few of them carry connotations of being female. Undoubtedly they did at the time, but to our sensibilities now, no. Or names like Milburga … that sort of does, but it feels clunky and stout. It’s that “urg” in there. It’s too guttural. But when I found the name Ælfwynn, I knew I had the perfect name for this character. What a beautiful name. It’s lighter. It has no plosives or hard consonants. It glides. It means elf-joy. I fell in love with it.

Have you ever devised a character and then written a plot around them?

If that’s ever happened, I don’t remember it. I tend not to work that way. A basic idea always seems to come first, and then right away I starting asking myself “Okay, now, who’s most likely to be around for this situation?” or “Who’s going to be able to help me squeeze as much out of this as I can?” So I end up developing the concept and the characters concurrently, and each side feeds the other.

That first novella I did for DarkFuse that you liked so much, Without Purpose, Without Pity, is a good example. I first had the idea of a Las Vegas cut off from the rest of the world. Then I figured the city’s combat sports culture would still be around, no matter what. I knew I wanted it to focus on a heavyweight boxer and this metamorphosis that was happening to him, which in part was suggested by a Zdzislaw Beksinksi painting. So that meant bringing in the relationship with his trainer, as well. But I didn’t think either one of them was the right mouthpiece for telling the bigger story — culturally, environmentally, sociologically. That’s when I hit on the approach of the narrator being a Joe Rogan or Jim Lampley type … someone already accustomed to being a commentator. Things ricochet around and set each other into motion, instead of developing in isolation.

Which of your stories holds the most meaning for you?

They’re all meaningful, because they’re all reflections of how ideas that emerged out of a specific frame of mind congealed at a particular time and place. The factors can never come together the same way twice. But some works rise above for different reasons.

Wild Horses, my first crime novel, sold at auction right after we moved to Colorado, so all that was very life-changing, and I’ll always be grateful for its role there.

With the novella Whom the Gods Would Destroy, not only was I happy with the way it came out, and the reception it got, but I also got the bug to compose and record a soundtrack to it, so the project was hugely satisfying on multiple levels.

As Above, So Below,” the anchor piece for my collection Falling Idols, was a pick for a century’s best anthology, so that was a great validation in and of itself, but writing it was such a trippy experience. Those first few hours after I finished it, I was in this floating daze, like I’d opened some sort of doorway, and if I blundered the rest of the way through, there would be no coming back. I never experienced anything like that either before or since.

And the new one, “In the Negative Spaces,” from Dark City, is right up there, too. I go through phases. For a couple-three years now, I’ve been in a cosmic horror phase, and that one feels like the most advanced thing I’ve done along those lines so far, and the main character ended up really close to my heart.

Let’s hear more about that one. At first glance, Dark City looks like a collaborative effort, but it’s not, really, is it?

No, it’s more along the lines of Dark Harvest’s classic Night Visions series, where three authors would time-share equal portions of a book and do whatever they wanted. Dave Barnett, the publisher at Necro Publications, gave Gerard Houarner and me half a book each to play with. Gerard split his into two pieces, and I did a really long novella.

In the Negative Spaces” came out of my seeing a Facebook thread about how much real estate in high-value places like Manhattan sits empty all the time. You have a large number of condos and apartments that are bought and sold purely as investments, without anyone ever living in them, so you end up having these gilded dead zones. I started wondering what might take root and grow in this life-negative void, or be drawn through this vacuum.

At its heart, it’s about a woman who’s escaped an abusive marriage with not much more than her life, and who lands in just such a place to start putting herself back together again. Then it all starts going off-the-rails weird after she finds a stranger’s dream journal. It has probably the most eclectic collision of research topics I’ve ever woven together: Manhattan real estate rapacity, the Cambrian Period, alternate evolution, life as a luxury tower doorman, DMT trips, Russian mob tattoos … a real crazy-quilt, but the pieces fit.

Who are the authors that have influenced your writing the most?

I’m going to be a contrarian and answer this differently than usual. I’ve answered that question so many times, and the thing nobody ever asks is what editors were an influence. An editorial vision can make just as much of an impression as an authorial vision, because it can expose you to a much broader range of individual sensibilities than you can get from one author. For me, there were at least three writers who doubled as editors who made a huge formative impression.

Charles Grant had a substantial body of anthologies I found at the right time — most notably his Shadows series. Karl Edward Wagner’s year’s-best anthologies were key reading. Then there’s David B. Silva. Through his magazine The Horror Show, he introduced me to a lot of established writers and fellow newcomers, and also published several of my earliest stories. I learned a lot from his overall tastes and his direct feedback.

Your answer makes a helluva lot of sense-especially now. Editors don’t get the respect they deserve. – MC

If you were able to trade bodies with one person for one day who would it be and why?

The trap here is if you picked something that would make you feel bad for the rest of your life once you had to give it up and go back to your default body. “I experienced this for one day and now I’ll never have it again.” I’d rather have something useful.

So, being heavily into working out and weight training and Krav Maga and that sort of thing, I would choose this former Navy SEAL Commander named Mark Divine. Among other things, he runs a kind of boot camp called SEALFit. The way he approaches the mind-body-spirit triad clicks with me. It would be useful to experience that ultra-elite level of conditioning to bring back as a baseline to really know from the inside what’s possible.

What are the next three books you’re planning to read?

I’m going to go through my contributor’s copy of Ellen Datlow’s new anthology, The Monstrous. I also have cued up Bernard Cornwell’s The Empty Throne, the latest in his Saxon Tales series, and Mental Muscle, by Logan Christopher, about the mental side of strength training.

What five people living or dead would you invite to a dinner party?

Leonardo da Vinci, definitely. With a polymath on that level, that’s like seven people in one. Richard Branson. The world’s coolest billionaire — what could I learn from him? Plus maybe I could parlay the evening into a flight on Virgin Galactic. Helen Mirren would be delightful and tell great stories and keep us all in line. Wolfgang Amadeus Mozart, who I hope would be antic enough to keep things unpredictable, and the after-dinner music would be unbeatable. Finally, John O’Donohue, so we could crack a bottle of Irish whiskey and talk deep into the night.

If you could claim one book as your own – think fame not fortune – what would it be?

Probably The Velveteen Rabbit. There’s something about having done a children’s classic that would appeal, and that one in particular speaks to me. It’s the most beautifully bittersweet thing ever. In one story from several years ago, I wrote “Children are natural animists; everything around them is alive and aware and possessed of deep feelings and exceptional memories.” I never quite grew out of that.

How do you want the world to remember you?

For me, that’s a moot point. It won’t, and I don’t care. I’ll be happy enough just to run out the clock on this existence and be done with it.

You can find Brian on the Web  and on Facebook.

Thanks so much for a terrific interview, Brian. I, for one, will remember you for a very long time to come.

Scroll down for a review of Brian’s novella!

The Dunfield Terror by William Meikle

Published March 1, 2015 by MommaCat

I’ve never liked the fog. Anything can hide in it. It’s too easy to get lost in it. Tentacled things taken on their own merit are rather alien looking, don’t you think?  A head, several squirmy legs – all with suckers lining them  up and down.  We’re a mammalian society.  Tentacled things generally aren’t thought of as cute, especially when they are as big or bigger than we are.

In THE DUNFIELD TERROR, William Meikle takes the fog, tentacled things and a rip in space and ties them neatly together for a ride you won’t soon forget.  All this takes place in a small town in Newfoundland in the winter – a town where everyone knows everyone else. And like it or not, afraid or not, one man is determined to save his friends and neighbors.

As the ending builds to it’s final climax I think you’ll agree that Terror is indeed the perfect word to be used in this title.  What a chilling, terrifying read this was!

THE DUNFIELD TERROR is now available for pre-order at



Published October 31, 2014 by MommaCat



1) What’s your earliest memory about storytelling?

I was in the hospital for a hernia operation at a very young age, sharing a room with my Dad, who was in for a double hernia. While he was in surgery, I started working on a comic book, its cover portraying a lot of battling stick figures. I was simply going to title the comic WAR, and forego any other text, but I got weepy because I wasn’t sure how to spell it. (I think I might have been missing my Dad, too.) Since those days my stories have gone on to have many more thousands of words than just a title.

2) If you could live during any era in any land, real or imaginary, where would it be and why?

It would be here and now. I am the sum of all the years I’ve accumulated, all the relationships and experiences and achievements those years have contained, so I need to stay on the temporal trajectory that has defined my existence. Though I would like to visit other time periods, it would only be briefly. Imaginary lands, though…hm…that’s another story. I know I’d like to visit my far-future setting of Punktown, but again…only briefly. Too dangerous to remain there for long. Having said all this, I would very much love to live half of every year in Vietnam, a country I’ve visited nine times to date, and dearly love. My daughter is half Vietnamese.

3) Do you write every day? Would you still write if you didn’t need to make money?

God how I wish I wrote every day — and in the past, I pretty much did — but today my day job and parenting consume most of my time and energy (not that I begrudge the latter). As for money…ha, I make so little money at writing (as is the case for most writers, I’m afraid) that if I was doing it with monetary gain as my main motivation, rather than artistic gratification, I’d have given up in despair decades ago.

4) How much research do you do?

I am crazy obsessive about research. If I’m writing a story set in modern day Viet Nam, for instance, and I say so-and-so got into a car, suddenly I’m Googling what make of cars are on the streets in Viet Nam. Though I do enjoy doing research, it can really slow down the writing process, but the risk comes in potentially slowing down the reading process with an excess of researched material. It has to be balanced, and you often discard more of the fruits of research than you use. Maybe that’s one of the reasons why I like to work so much in Punktown; I’m inventing that world, so I don’t have to research it, unless it’s only to look at my earlier Punktown stories for the sake of consistency.

5) What’s your comfort food?

Peanut butter and jelly sandwiches. I could eat them every day. For long stretches, I do! My comfort beverage is coffee; I’m a coffee addict, as anyone who knows me could attest.

6) What if you could trade bodies with one person for one day? Who would that be?

My daughter Jade, I guess, so I could see the world through the eyes of a five-year-old girl. I don’t remember being five. Or a girl.

7) Who are the authors that influenced your life the most?

That’s hard to answer, because it’s difficult to pick only a few names. Different writers have affected me in different ways, and even after all these years I’m still learning more about the craft, and receiving new inspiration, every time I delve into a new book of merit. But if I have to give just a few names, I might mention Ray Bradbury and Edgar Rice Burroughs. Both men transported me to their own marvelous rendition of Mars, and taught me how exciting it is to create a fantastical setting for your characters to inhabit. Bradbury’s THE MARTIAN CHRONICLES, being an unrelated series of stories taking place within a single otherworldly setting, has definitely been a big influence on my ongoing series of novels and short stories set in Punktown.

Lovecraft: Bloodcurdling Tales of Horror and the Macabre
The Cipher – Kathe Koja
House of Leaves – Mark Z. Danielewski

Oh wait, I can’t stop! I’m a glutton for punishment…

The collected poems of Anne Sexton
1984 – George Orwell
Do Androids Dream of Electric Sheep? – Philip K. Dick
The Godfather – Mario Puzo
Oliver Twist – Charles Dickens
A Princess of Mars – Edgar Rice Burroughs
Gorky Park – Martin Cruz Smith
Lord of the Flies – William Golding
The Books of Blood – Clive Barker (cheating, I know!)
Daybreak – 2250 A. D. – Andre Norton

8) Who would you like to co-author a book with?

Living or dead? Assuming it’s someone alive, and thus nbomeone with whom I might conceivably collaborate, I’ll say Clive Barker. We both have pretty out-there imaginations and that might make us compatible. In the past I’ve collaborated with two other favorite authors of mine: W. H. Pugmire (ENCOUNTERS WITH ENOCH COFFIN) and my brother Scott Thomas (PUNKTOWN: SHADES OF GREY).

9) What five people – living or dead- would you invite to a dinner party? (Universal translators will be provided)

I have to say Jesus…I’d like to know what he was really about. Yukio Mishima would be fascinating, as would Marlon Brando. Elvis Costello and Norah Jones could sing to us, and Norah is so damn cute.

10) How do you want the world to remember you?

As a writer who created his own universe to immerse himself in, while making it accessible and alive for others. And yet, a writer who was also versatile in his storytelling, up to any challenge. A person who extolled creativity above all else, and embraced imagination to the fullest. And I’d like it said I was a good Dad. That’s the most important thing, isn’t it?


You certainly brought Punktown to life for me Jeffrey. And your versatility is amazing.  If you’re as good a dad as you are a storyteller, you are in great shape. I hope you’ll visit Cat After Dark again.   cảm ơn bạn đã ghé thăm


Jeffrey Thomas can be found at

RED CELLS by Jeffrey Thomas

Published October 31, 2014 by MommaCat

RED CELLS is the newest science fiction thriller in the Punktown universe. Jeffrey Thomas has a thousand stories to tell and Punktown is a diverse place to tell them.

Originally named Paxton, the name became slurred to Punktown the way names do in the vernacular.  This book focuses on a maximum security prison and the goings on inside. There are a variety of beings both inside and outside the area in which the prison is located.

Like King’s Castle Rock universe or the Star Trek universe no previous books need be read to enjoy this story.  I hope you enjoy it as much as I did.  RED CELLS was a fun read!


Buy RED CELLS today at

Red Cells

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